Text Leveling System

Mockingbird

RDQ:	2332	Max Word/Sent	97	Total Words	3753		Diff Words	862
Lex	950	Ave Word/.Sent	8	Hi Freq occurs	2931	78.1%	Hi freq	381	44.2%
AR	5.5	Long Sentences	9.1	Low Freq occurs	120	3.2%	Low freq	87	10.1%

IT LOOKS LIKE A ONE-WINGED bird crouching in the corner of our living room. Hurt. Trying to fly every time the heat pump turns on with a click and a groan and blows cold air onto the sheet and lifts it up and it flutters for just a moment and then falls down again. Still. Dead.
Dad covered it with the gray sheet so I can't see it, but I know it's there. And I can still draw it. I take my charcoal pencil and copy what I
see. A grayish square ish thing that's almost as tall as me. With only one wing.
Underneath the sheet is Devon's Eagle Scout project. It's the chest Dad and Devon are making so he'll be ready to teach other Boy Scouts how to build a chest. I feel all around the sheet just to be sure his chest is underneath. It's cold and hard and stiff on the outside and cavernous on the inside. My Dictionary says CAVernous means filled with cavities or hollow areas. That's what's on the inside of Devon's chest. Hollow areas. On the outside is the part that looks like the bird's broken wing because the sheet hangs off of it loosely. Under the sheet is a piece of wood that's going to be the door once Dad and Devon finish the chest. Except now I don't know how they can. Now that Devon is gone. The bird will be trying to fly but never getting anywhere. Just floating and falling. Floating and falling.
The gray of outside is inside. Inside the living room. Inside the chest. Inside me. It's so gray that turning on a lamp is too sharp and it hurts. So the lamps are off. But it's still too bright. It should be black inside and that's what I want so I put my head under the sofa cushion where the green plaid fabric smells like Dad's sweat and Devon's socks and my popcorn and the cushion feels soft and heavy on my head and I push deeper so my shoulders and chest can get under it too and there's a weight on me that holds me down and keeps me from floating and falling and floating and falling like the bird.
CAITLIN, DAD SAYS. THE WHOLE
town is upset by what happened. They want to help.
How?
They want to be with you. Talk to you. Take you places.
I don't want to be with them or talk to them or go places with them.
He sighs. They want to help you deal with life, Caitlin . . . without Devon.
I don't know what this means but the people come to our house. I wish I could hide in Devon's room but I'm not allowed in there now Not since The Day Our Life Fell Apart and Dad slammed Devon's door shut and put his head against it and cried and said, No no no no no. So I can't go to my hidey-hole in Devon's room anymore and I miss it.
I try to hide in my room and draw but Dad comes and gets me.
There are so many voices in our house. Voices from Devon's Boy Scout troop. I recognize their green pants. And the nice things they say about Devon.
Voices of relatives. Dad introduces me to them. He says, You remember . . . and then he says a name.
I say, No, because I don't remember.
Dad says to Look At The Person so I look quickly at a nose or a mouth or an ear but I still don't remember. One voice says, I'm your second cousin.
Another says, Wasn't it a beautiful memorial service? Another says, I love your drawings. You're a very talented artist. Will you draw something for me?
One even says, Aren't you lucky to have so many relatives? I don't feel lucky but they keep coming.
Relatives we hardly saw when Devon was here so how can they help?
Neighbors like the man who yelled at Devon to get off his lawn. How can he help?
People from school. Mrs. Brook my counselor. Miss Harper the principal. All my teachers since kindergarten
except my real fifth-grade teacher because she left after
what happened at Devon's school. I don't Get It because nothing bad happened at James Madison Elementary
School so why did she have to leave? Now Mrs. Johnson is my teacher. She didn't even know Devon except she watched him play basketball, she says. Twice. I've watched the LA takers play more than twice. I don't try to help them. Caitlin. If you ever want to talk about what happened you just let me know, Mrs. Johnson says.
That's what Mrs. Brook is for, I tell her.
Maybe we could all sit down together.
Why?
So we know where you're coming from.
I look around the living room and stare at the sheet-covered chest. I come from here.
I'm sorry. I meant so we all know how you're feeling.
Oh. Mrs. Brook knows how I'm feeling so you can find out from her. I would be superfluous. My Dictionary says suPERfluous means exceeding what is sufficient or necessary.
I just thought it would be nice to take some time to sit and
chat.
I shake my head. SuPERfluous also means marked by
wastefulness.
Well . . . okay then, she says. I suppose I can talk with Mrs.
Brook.
Mrs. Brook says you can talk with her anytime because her door is always open, I tell Mrs. Johnson. Actually it's almost always closed. But if you knock then she remembers to
open it.
Thank you Caitlin.
She doesn't move. This means she is waiting for me to say something. I hate that. It makes my underarms prickle and get wet. I almost start sucking my sleeve like I do at recess but then I remember. You're welcome, I say.
She moves away.
I got it right! I go to the refrigerator and put a smiley face sticker on my chart under YOUR MANNERS. Seven more and I get to watch a video.
When I turn away from the fridge I see a puffy blue marshmallow wall in front of me. It smells of apple cinnamon Pop-Tarts and breathes noisily. It's another neighbor or relative. I don't know which. Her hands are shaking. One hand has a tissue and the other hand she holds out to me. There is a white circle in it. Would you like this candy?
I don't know. I have never had her candy before so I don't know if I'll like it. But I like just about every candy in the galaxy. I don't like being trapped by the puffy blue wall like this though.
Take it, she says, and pushes it into my hand.
So I take it just to get her hand off of mine because her hand is squishy and flabby and makes me feel sick.
Have another, she says.
I take it quickly so I won't have to feel her hand again. She tries to pat my head with the candy hand but I duck.
I run and hide behind Dad. And eat the candy. They are mints. I wish they were gummy worms because that's my favorite but I Deal With It. The good thing is I can't talk when my mouth is full because that's rude so if I keep my mouth full I can be in my own Caitlin world.
When I finish the candy I still don't want to talk so I push my head under Dad's sweater and feel the warmth of his chest as he breathes up and down and I smell his Gillette Cool Wave Antiperspirant and Deodorant. He doesn't even say, No Caitlin, and pull me out. He lets me stay there and pats my head through the sweater. If it's through the sweater I don't mind. Otherwise I don't like anyone to touch me. Dad talks to the world outside the sweater and his voice makes a low hummy-vibratey feel. I close my eyes and wish I could stay here forever.
DAD SAYS IT'S TIME TO GO BACK to school so here I am.
Back in Mrs. Brook's room.
Sitting at the little round table.
I look at the walls and not much has changed except that the mad face on the Facial Expressions Chart now has a mustache. I know because I have looked at that chart about a million times to try to figure out which emotion goes with each face. I'm not very good at it. I have to use the chart because when I look at real faces I don't Get It. Mrs. Brook says people have a hard time understanding me because I have Asperger's so I have to try extra hard to understand them and that means working on emotions.
I'd rather work on drawing.
Hi Caitlin, Mrs. Brook says softly. She still smells like Dial Body Wash.
I look at the chart and nod. This means I'm listening even if there's no eye contact.
So how are you?
I suck on my sleeve and stare at the chart.
How are you feeling?
I stare at the chart some more and hear myself sigh. My stomach feels all yucky like it's at recess which is my worst subject but I take a deep breath and try to Deal With It. Finally I say, I feel like TiVo.
She leans across the table toward me. Not too close to my Personal Space because I'll use my words to tell her to back off if she gets too close. Say again?
TEE-VO.
What do you mean?
I fast-forward through the bad parts and all of a sudden I'm watching something and I'm not sure how I got there.
She scratches the part in her hair with her forefinger. The rest of her fingers stick up in the air and move like they're waving. Then she stops. I see, she says.
I look around the room. What do you see? I ask.
I think you'd like to forget about the painful events you've been through.
I want to tell her that I prefer TiVo on mute and I wish she'd cooperate. But if I do it'll start a whole Let's Talk About It discussion so I say nothing.
The funeral must have been very difficult, she says.
I wonder what she means. We sat in church. It was not very difficult. It was like TiVo on mute. Everyone spoke so quietly I could barely hear them and almost no one talked to me. They looked at me which I did not like and some of them even touched me which I hate but no one tried to Start a Conversation with me and no one laughed like crashing glass and there was no lightning movement and no one appeared out of nowhere and nothing happened suddenly.
Let's Talk About It, she says.
I turn around in my chair so I can't see her anymore.
I know its difficult but you can't keep it all inside. She
stops talking but not for long. Did you cry at the funeral?
I shake my head. At the funeral a lot of grown-ups cried
but I don't know why. Most of them had never even met
Devon. I think about how much Dad has been crying and
the words jump out of my mouth. Dad cried.
Did that upset you?
I grip the back of my chair. I didn't like it.
Why not?
I don't know.
Were you sad for him?
I don't know.
Were you afraid?
I don't know.
Did it make you uncomfortable?
I try to think of a different answer than I don't know
because Devon says people don't like I don't know all that
much. I don't know why. So I try hard to focus on her question. Did it make you uncomfortable? I think about what is
comfortable. Being completely covered by my purple fleece
blanket under my bed or putting my head under the sofa cushion or reading my Dictionary. I did not have any of those things at the funeral. Yes. I was uncomfortable.
Why?
I don't know. Please stop asking me questions.
Caitlin. Your father is sad.
I turn back toward the Facial Expressions Chart. I wonder how Mrs. Brook knows what he's feeling right now And I wonder if I've done something wrong. Why?
Her head pokes forward like a turtle before she pulls it back in and says in her Nice Voice, He misses Devon.
Oh. MISS is a strange word, I tell her. Have you ever looked it up in the Dictionary? There is MISS like MISS Harper the principal. There is MISS like you will MISS your bus if you don't hurry because you have to step on every crack. And there is MISS like dead.
Do you miss Devon?
I don't know.
She does the turtle head jerk again just barely but I see it.
He's not completely gone anyway, I tell her. I think about his bedroom even though the door is shut and his bike leaning against the back of the house and his chest in the corner of the
living room.
Her face squishes up like she's trying to Get It. That's true, she says slowly. A part of Devon will always be with you. Which part, I wonder. No parts of his body are left be-cause he was cremated. That means burned up into ashes. Can you feel him?
I look around the air. I look down at my hands. Are parts of Devon scraping me? Is that what I'm supposed to feel?
The heat is blowing from the vent in the ceiling and I feel that. But that's only air from the furnace. Or does it have Devon in it? Where do you go when you get burned up and turn into smoke in the air? Maybe you get sucked into furnace systems and blown out through the vents. I shrug.
Can't you still feel Devon? Mrs. Brook asks again.
Maybe. I'm not sure its really him though. It could be anyone. What would he feel like?
I mean the things he did for you. The things you did together. You'll miss him but he'll always be with you. Just in a different way.
I don't want him around in a different way. I want him around in the same way. The way he was before. When he
makes me popcorn and hot chocolate. And he tells me what to say and what clothes to wear and how not to be weird so kids won't laugh at me. And he plays basketball with me. He always gives me a chance to win by tripping or moving slowly or going the wrong way when I do a fake. I can tell when he's doing something on purpose by looking at his mouth. His lips move a certain way when he's thinking. When he's being sneaky his lips move a different way. But when he's being sneaky he's doing it to be nice to me.
That's the Devon I want. Not the one who is floating around in the air.
A loud country music song starts playing.
It's Mrs. Brook's cell phone.
She doesn't answer.
She's using her Look At The Person behavior to look at me and I don't like it. Also she's not answering the phone. I can't stand the cowboy song noise.
If you don't answer the phone you will MISS your call, I
tell her.
She answers but her eyes still Look At The Person while she talks on the phone.
I get under the table to get away from her eyes. Mrs. Brook always wants me to look in her eyes. She says we can see emotion in people's eyes. I can't. Eyes always look the same to me. People's lips move all the time though. That's where the words come out. I can tell what people say by looking at their lips even though Mrs. Brook says that's not
the only way to find out because you can't get a complete picture of what someone means just by looking at their lips.
I can. I can read lips.
I look up at the wood on the bottom side of the table.
It's not finished wood.
It's raw wood.
Like Devon's chest.
I touch it. It's rough. I rub my finger across the wood
back and forth harder and harder until a splinter cuts me. I
hit the splinter back.
There is a drop of blood on the wood now It is red and
it spreads . . . seeping into a crack and bleeding across the
unfinished wood.
Like Devon's chest.
Not I rub, the wood harder and harder to try to erase the
blood but it won't go away.
Caitlin!
I press my finger against the raw wood and rub faster and faster and it hurts but I don't care because I want to stop the blood but it's still there and I can't make it stop!
Caitlin!
I can't stop it!
Caitlin! It's Mrs. Brook calling from somewhere and I feel pulling on my arm but I yank my hand free. No! I have to erase the blood! I have to. I have to! I HAVE TO!
I can't see or feel or hear anything except for some screaming far away.
I HEARD YOU HAD A TRM AT school today, Dad says.
I stare at the covered chest in the corner. TRM, I say, hmm. That Reminds Me. I know he doesn't mean that kind of TRM. He means the Tantrum Rage Meltdown kind. But I don't want to talk about it.
He sighs. Caitlin honey 
My finger hurt, I say. That's why.
I think it was more than your finger.
Also I bumped my head on the table during the TR when my finger hurt. So it was my finger and my head. Both. That's two things. I continue counting in my head. Three, four, five, six.
I hear Dad's voice but I focus on counting. Seven, eight, nine, ten, eleven. And thinking about stuffed animals. And I want Red Dog so I get up and walk down the hall to my room which is thirteen and a half steps more if you take little tiptoe steps so you don't step on any of the seams in the wood. I look across at Devon's room and wish wish wish I could go in but I know I can't.
I hear Dad saying my name but he is in another world right now
Twenty-one, twenty-two, twenty-three, twenty-four.
I push my door open and wade through the clothes and books and papers and pencils and yarn and stickers on my floor and go to my bed where there are one hundred and fifty-three stuffed animals including key chains and Mc_ Donald's Happy Meal toys but the one I want is Red Dog and he is sleeping under the bed with my purple fleece blanket because Dad is too loud thirty-seven, thirty-eight, thirty-nine and I get under the blanket with Red Dog and we go to sleep while I am still counting.
When I wake up I'm hungry. I look at my Elmo clock. Elmo says it's almost six thirty. I step out into the hall and look at the door across from mine. It's Devon's. Dad keeps it closed since The Day Our Life Fell Apart. I can't open it because Dad always says when the bathroom door is closed you don't open it and when a desk drawer is closed you don't open it and when an envelope is closed you don't open it unless it has your name on it. So I don't open Devon's
door.
I wish I could go in though. I wish I could go in and say, Devon I'm hungry, and he'd grin so his dimples show and he'd say, You and me both, and we'd go find Dad and order pizza because it's Thursday and we'd eat warm drippy extra-cheese pizza in front of Wheel of Fortune and Jeopardy. That reminds me how hungry I am so I go find Dad.
He's sitting on the sofa staring at my charcoal pencil
stain on the carpet. Its six thirty, I say.
Dad doesn't say anything.
Its six thirty. Time to eat, I tell him, in case he has forgotten what six thirty means.
He still doesn't say anything. Its six thirty.
He stares at the stain but at least he says something. I'm not hungry.
It doesn't matter, I tell him. Its six thirty.
He sighs. Okay. I'm glad you're feeling better now. I'll get dinner ready.
Just call the pizza guy.
He shakes his head.
It's Thursday.
Let's eat what we have here.
But its pizza night.
No Caitlin.
I cross my arms. I don't want that yucky spaghetti casserole again.
Okay. He gets up slowly like he is a very old toy running out of batteries. I'll see what we have.
We have Pop-Tarts.
That's not exactly a healthy dinner. We have a bag of salad you can eat.
His lips turn down at the ends. I don't like salad. And we don't have any dressing.
Yes we do. Applesauce.
So we eat Pop-Tarts and salad with applesauce. Only I pick the salad stuff out of my applesauce and make a pile of
green leaves on my napkin. And I keep my applesauce and Pop-Tart totally separate because I don't like food mixing together or colors running into each other. It's too hard to see what you have to Deal With if things start blurring together and getting mushy and turning into each other.
We sit at the kitchen table where I can't see the TV which isn't on anyway. It's too quiet without Devon. Right
now I wouldn't even mind watching Fox Five News with the lady who talks so fast and so loud you can't hear what she's saying. All you can do is watch her really big hair moving around and wonder how many spiders make their nests in that thing.
Dad sniffs and I don't want to hear him crying again so I have to be like the Fox Five News lady and fill up the silence. I wish we could have pizza with Devon, I say. Its even Thursday. Pizza day.

Subjective Criteria

Illustrations: No support

Dialog: Multiple speakers

Dialog: Broken dialogue

Dialog: Unlabeled Speaker

Vocabulary: More decoding/definition issues

Language: Many descriptive words

Sentences: Multiple phrases

Text structure: Story/Poem

Inferences: Several Implications

Complexity: Several ideas - closely related

Concepts: Abstract/Complex Social

Chapters

Author's purpose: Implied

Prior Knowledge: Familiarity

Sequence of Events: Chronological

Mature Concepts: With some uncommon experiences

Features

Character traits

Character development

Complex Problem/Solution

Complex plot

Mood/tone

First Person

Present Tense

Unusual use of vocabulary

Topic

Feelings/Emotions

Challenges

Death

Behaviors

Friendship

*Human Body & Health

*Feelings, Behaviors

Relationships

Low Frequency Words

antiperspirant	asperger's	blurring	brook's	casserole
cavernous	cavities	charcoal	cinnamon	conversation
cooperate	counselor	cremated	crouching	cushion
deodorant	devon	discussion	drawer	elementary
emotion	emotions	expressions	fabric	facial
fleece	forefinger	fortune	funeral	furnace
galaxy	gillette	grayish	harper	healthy
hidey	hollow	hummy	introduces	jeopardy
kindergarten	loosely	marshmallow	meltdown	memorial
movement	mustache	mute	neighbor	neighbors
noisily	nowhere	otherwise	personal	plaid
prickle	project	purpose	recognize	refrigerator
relative	relatives	rough	rude	separate
service	shrug	squishes	squishy	sufficient
superfluous	sweat	sweater	takers	tissue
tivo	trm	uncomfortable	underarms	understanding
unfinished	vibratey	vo	warmth	wastefulness
weird	winged	yank